The film was primarily shot in the UK and Spain, although many scenes take place in the US and other countries. This is the sixth season of the acclaimed anthology series that explores the dark and often disturbing consequences of modern technology on human society. The season consists of five standalone episodes — "Joan Is Awful," "Loch Henry," "Beyond the Sea," "Mazey Day," and "Demon 79" — each telling a unique story with different actors and locations. Filming took place in a variety of real locations: from the Scottish Highlands, standing in for a fictional lakeside village, to country estates near Valencia in Spain, depicting retro-futuristic homes. The show transforms ordinary British towns, Spanish coastal areas, and London landmarks into convincing dystopian or thriller sets, using on-location shooting and minimal sets to create its signature unsettling atmosphere.

Filming Locations:

Loch Leven (also Loch Henry)

In the Film

Scene where Pia and Davis stand on the north shore of the lake and look towards the Pap of Glencoe mountain. This wide shot establishes the fictional setting of Loch Henry and showcases the beautiful yet unsettling Scottish landscape that immediately sets the tone for a story about dark secrets in a small Highland community.

In Reality

The scene was filmed at a large freshwater lake on the west coast of Scotland, near Glencoe. The north shore of Loch Leven was used for the shot with a view of the Pap of Glencoe (Sgorr na Cìche). This picturesque Highland loch is surrounded by impressive mountains and is popular with hikers and tourists visiting the Glencoe area. It connects to the sea via Loch Linnhe.

100 Liverpool Street, London (Streamberry Headquarters)

In the Film

Scene where This is the headquarters of Streamberry — a fictional streaming company that serves as an alter ego of Netflix in the episode "Joan Is Awful." The impressive atrium of the building with its striking staircase creates a sleek corporate atmosphere for the tech company that represents the powerful streaming platform at the center of the story.

In Reality

The scene was filmed in a large office building in the City of London, redeveloped from a 1980s office block. The central atrium features a striking staircase, and the building has become a prominent commercial center in the Broadgate complex next to Liverpool Street station. The project was redesigned by Hopkins Architects and completed in 2019, offering modern offices with distinctive architectural details.

Inveraray (also Waltonville)

In the Film

Scene where The main street of Waltonville is shown as a bustling Scottish town before the tragic events of the 1990s, with period-appropriate cars and old shop signs added to the buildings. The exterior of The Lochside Inn pub was filmed at The George Hotel, a family-run establishment in a building that has existed since 1770.

In Reality

The scene was filmed in a small royal burgh in Argyll and Bute, Scotland, on the western shore of Loch Fyne. The charming main street of Inveraray with its whitewashed Georgian buildings was dressed for the period, adding period cars and vintage signs to recreate the fictional Waltonville before the 1990s tragedy. The George Hotel at 1 Main Street was used as the exterior of The Lochside Inn pub.