The film "Ghost Town" was filmed in New York, USA.

Filming Locations:

The Mall (Central Park)

In the Movie

In Reality

The scene was filmed at The Mall, running from the flowerbed at Center Drive in the south to Bethesda Terrace in the north, is the only straight path in the entire park. The path passes a row of statues of famous writers, known as Literary Walk, and past the Naumburg Bandshell. The path and its surrounding American elms were built in 1857 and designed as part of the great park by landscape architects Frederick Law Olmsted and Calvert Vaux.

Dentist's Office (Exterior)

In the Movie

The scene where Bertram Pincus's everyday professional life is tied to this building as the exterior of his dental office, emphasizing his orderly routine before and after he starts seeing ghosts. This location supports scenes involving patients, appointments, and the disruptions that invade his work environment.

In Reality

The scene was filmed at 1135 Fifth Avenue is a classic residential/cooperative building on the Upper East Side overlooking Central Park, typical of the pre-war architecture of the area and doorman entrances. Its Fifth Avenue facade creates an instant 'New York professionalism' feel, making it useful for depicting the location of an established medical or dental practice.

Bertram's Apartment (Exterior)

In the Movie

The scene where The building is used as the exterior of Bertram Pincus's home base, where he retreats when overwhelmed by ghosts, and where comedic pressure builds as the dead repeatedly invade his personal space. It serves as a visual anchor for his personal life and growing irritation.

In Reality

The scene was filmed at 1136 Fifth Avenue is directly along Central Park on the Upper East Side, in a row of tightly packed prestigious buildings with a uniform facade line, ornamental details, and controlled entrances. This address places the character's home in a convincing, affluent Manhattan context with direct access to the park and museums.

Synod of Bishops of the Russian Church (used as entrance to medical facility)

In the Movie

The scene where The church exterior serves as the entrance to St. Victor's Medical Center, anchoring a key medical event of the protagonist to a convincing Manhattan streetscape. The location supports plot points related to the hospital experience that triggers the supernatural shift in his life.

In Reality

The scene was filmed at The Russian Orthodox Church of the Synod of Bishops is a recognizable religious building on East 93rd Street with distinctive facade elements and a solemn entrance. Its architecture makes it a practical stand-in for institutional exteriors; it is located in a quiet residential area of the Upper East Side near Park Avenue and Madison Avenue.

Glade Arch, Central Park (Glade Arch Bridge)

In the Movie

The scene where Street dialogues and transitional moments use the Central Park arch setting to change tone, escape crowded streets, and provide space for character interactions and reactions to the ghost problem. The calmer park environment contrasts with the constant disruptions and the protagonist's growing anxiety.

In Reality

The scene was filmed at Glade Arch is a pedestrian arch in Central Park, located among paths and well-maintained greenery that reduce street noise and skyline clutter. This spot is often used for filming walks and conversations because it feels secluded while remaining accessible from the park's eastern entrances.

Metropolitan Museum of Art (including the Temple of Dendur)

In the Movie

The scene where Museum scenes use the grand public setting of the Metropolitan Museum of Art: the Temple of Dendur area serves as a place for conversations and movement through an iconic interior where other visitors are present. The location helps frame character decisions in a public space while the supernatural storyline continues to complicate their interactions.

In Reality

The scene was filmed at The Metropolitan Museum of Art is one of the largest museums in the USA, occupying a significant portion of the Fifth Avenue facade along Central Park. Inside, the Temple of Dendur gallery is a highly recognizable space with an ancient Egyptian monument, wide open views, and controlled lighting, often used in film scenes requiring a public yet visually striking interior.

6th Avenue (between West 51st and West 52nd Streets)

In the Movie

The scene where Frank Herlihy narrowly avoids being hit by a falling air conditioner in a busy street moment, establishing a key piece of evidence for the film: the protagonist suddenly becomes connected to the dead. The location looks like a convincing Midtown sidewalk where an accident can happen in plain sight.

In Reality

The scene was filmed at This stretch of Sixth Avenue (Avenue of the Americas) runs through Midtown Manhattan near office towers, hotels, and heavy pedestrian traffic. The block between West 51st and West 52nd Streets is a typical well-exposed New York corridor, often used for street filming due to its wide sidewalks and clear avenue layout.