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In online release, the old-school action film 'The Beekeeper', where Jason Statham collects honey and competes with Chuck Norris for the best meme about himself.

A gloomy man Adam Clay () tends a small apiary far from civilization. The temporary dwelling was kindly provided by a local resident Eloise Parker (Phylicia Rashad), whom Clay occasionally helps with chores. One day, Eloise falls into the trap of cyber scammers, who cynically steal not only her own funds but also the money of the foundation she managed. Unable to bear the nervous tension, she commits suicide, after which Clay, who was treated with warmth by the woman, decides to take revenge, recalling all the combat skills he once acquired in a special unit called 'The Beekeepers'.

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A film of the type: so bad it's good. The director of 'The Beekeeper' stubbornly refuses to change his creative vision and once again honestly paints on screen a gloomy man capable of simultaneously harvesting honey, destroying hornets, extracting necessary information, burning down gang call centers, beating up their tough security, and additionally intimidating corrupt politicians.

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To Bee or not to Bee: Review of the film 'The Beekeeper'.
Still from the film 'The Beekeeper'

Jason Statham, finally ossified in the role of a meme, with a tragic face uttering short brutal phrases and crushing another villain's jaw (no matter who, even if it's a giant shark in 'The Meg'. Chuck Norris never dreamed of such) — this is the best choice today for a film that desperately does not want to seem overly serious, but is simply unable to offer anything truly risky, fun, and sarcastically dashing in its script, although it has all the data for it (the secret organization of 'beekeepers', whose agents extract real honey — that's at least funny).

On the villain's side, besides the trendy actor , there is also veteran actor Jeremy Irons , playing a retired special agent with an intelligent profile and the cold appearance of a gray eminence, looking after a negligent stepson. From the first news of the suddenly retired beekeeper, he grimly hints to his offspring about the inevitability of meeting him and makes weak attempts to somehow stop the people's avenger. And as things draw to a close, Irons' character, like a serpent tempter, carefully appears behind Clay and offers to retreat, not disturbing the fragile peace built on human tragedies. 'What bothers you so much?' he sincerely wonders in a brief conversation with the beekeeper. 'Justice,' Statham replies sullenly and breaks Irons' arm. This short scene can generally describe the entire mood of the film.

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To Bee or not to Bee: Review of the film 'The Beekeeper'.
Still from the film 'The Beekeeper'

By the way, regarding action, Ayer keeps up with trends, participating in a stunt race with other representatives of the genre under the conditional name 'who has the cooler fight'. 'The Beekeeper', although it won't take a leading place in it, all the shootouts and hand-to-hand fights are presented here with taste: broken limbs, severed fingers, shooting a minigun at a gas station, juicy blows and throws over oneself. Even an ordinary office stapler will be used (hello to the pencil ).

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In addition to the straightforward plot, which brazenly does not invent anything supernatural in the genre and abounds with references to action films of the 80s and 90s, Ayer nevertheless carefully pressed on some pain points of modern society: cyber fraud; shadow organizations; intelligence agencies covering up the unbridled children of oligarchs; forcedly inactive official bodies, represented here by two hippie-like FBI agents who would be happy to restore order but cannot, again, due to the closed system and control from above. In short, the entire stream of information agenda that pours tons onto viewers' heads from the daily news feed.

To Bee or not to Bee: Review of the film 'The Beekeeper'
Still from the film 'The Beekeeper'

Therefore, Ayer hits the mark exactly, presenting his invulnerable defender of the oppressed. And if this is not a comic book superhero, then it must be Jason Statham — a worker bee, a gloomy powerful force that, like Nolan's Joker with fire and gasoline (or with a smoke machine, if you will), will fearlessly bring iron order to the hive, leaving behind only a scorched field. And rest assured, he will definitely achieve his goal and, with just a couple of scratches, walk off into a beautiful sunset. Being the best in bad cinema is also a talent, no matter how you look at it.