Humorous and Not-So-Humorous Series Results of 2020

Series results of 2020. With humor and maximum subjectivity.

Since we've already summed up, it would be a sin not to write something similar about series. Especially since there was more than enough interesting and unforgettable content.

Roman Kovalev

Humorous and Not-So-Humorous Movie Results of 2020

This year there were many good films, even more bad ones, but one way or another, it will certainly be memorable. Before naming the best of the best, we invite you to sum up the movie results with a humorous

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Isolation of the Year — 'Staged'

For the best Zoom play rehearsals.

King of the Year — 'Locke & Key'

For the best adventures and creepy moments.

Sex of the Year — 'The Boys' (Season 2)

For its unhinged nature and emotional intensity.

Teacher of the Year — 'A Teacher'

For an individual approach to teaching.

Friendship of the Year — 'Betty'

For believing in each other even in non-obvious situations.

Best Second Season of the Year — 'Sex Education'

Alternatives: 'Kingdom', 'Forever', 'After Life', 'Criminal'

For living up to the high standards of the original.

Best Male Performance of the Year — Nick Offerman ('Devs')

Alternatives: Jude Law ('The Third Day'), Antony Starr ('The Boys'), Paul Mescal ('Normal People'), Ricky Gervais ('After Life'), Ben Platt ('The Politician')

For embodying a mad genius and breaking the mold.

'Black Mirror' in Reverse of the Year — 'Upload'

For a good-natured depiction of future technologies.

Cameo of the Year — Samuel L. Jackson ('Staged')

Alternatives: David Benioff and D. B. Weiss ('Westworld'), Jonas Brothers ('Dash & Lily')

For charisma and the ability to use strong language.

Couple of the Year — Nicole Kidman and Hugh Grant ('The Undoing')

Alternative: Chris Evans and Michelle Dockery ('Defending Jacob')

For a heap of family secrets.

Socially Significant Series of the Year — 'Unorthodox'

Alternatives: 'I May Destroy You', 'Lovecraft Country', 'Mrs. America'

For important and frank thoughts.

Best Russians of the Year — Elle Fanning and Nicholas Hoult ('The Great')

For extravagance and the ability to have fun.

Sensation of the Year — 'Tiger King: Murder, Mayhem and Madness'

For 34 million viewers in 10 days.

Best Cast of the Year — 'The Crown'

For the need to clarify that the series is fictional, not documentary.

Fight of the Year — 'The Boys'

For brutality and unpredictability.

Best Opening — 'The Haunting of Bly Manor'

For hints at plot development and beautiful music.

'Game of Thrones' of the Year — The 'Supernatural' Finale

For 'Better to go out on top than to drag on for eight to ten years and turn into a piece of crap'.

Mother of the Year — Amanda Collin ('Raised by Wolves')

For devotion to her children.

Best Series Finale of the Year — 'Dark'

For an effective end to the best European series of recent years.

Best Russian Series — 'Chiki'

For the atmosphere of a southern province and an honest look at the lives of ambiguous heroines.

Comeback of the Year — 'Daredevil'

For the hashtag #SaveDaredevil. Fans hope that Marvel Studios will bring Charlie Cox back to the role of Daredevil in the MCU.

Dialogue of the Year — 'Criminal' (Season 2)

For consistently well-written scripts.

Best New Series of the Year — 'Devs'

Alternatives: 'The Queen's Gambit', 'Normal People', 'Betty', 'Upload'

For an original script, scientific basis, best male performance, and outstanding visual design.

'Everyone Fell in Love' of the Year — Anya Taylor-Joy ('The Queen's Gambit')

For expressive eyes and natural magnetism.

Song of the Year — 'Money Heist'

'You Can Dance' of the Year — 'Hollywood'

For immodest self-expression.

'Wow, So Beautiful' of the Year — 'The Third Day'

Alternative: 'Devs'

For its hypnotic effect.

WTF of the Year — 'Lovecraft Country'

Best Female Performance of the Year — Anya Taylor-Joy ('The Queen's Gambit')

Alternatives: Daisy Edgar-Jones ('Normal People'), Christina Applegate ('Forever'), Linda Cardellini ('Forever'), Michaela Coel ()